Articles in edited trade titles, written from a recorded interview with the person whose name goes on them. One link each, nothing bought.
About this service
Three to five published bylines a quarter, each carrying the name of somebody who actually works at your company. That is the shape of this engagement. It is slower than buying posts, and the pieces stay up, because an editor chose them.
One rule governs everything else: the named author reads the draft and changes something. If your export manager or your head of product development will not give an hour to a recorded call and twenty minutes to the draft, this does not work, and I would rather say that now than invoice you for six months of it.
How a piece gets made:
A 45-minute recorded call with the person whose name goes on it. I am after the argument they make to customers and cannot make in a catalogue — why they moved a line back from Portugal, why they stopped quoting on 30-day sampling, what the digital product passport actually means for a supplier shipping to eleven brands. I transcribe it, write it in their register, and send the draft with the sentences I invented flagged in the margin. There always are some. They should be caught by your author, not by an editor.
Where it goes:
Outlets with a masthead and an editor who rejects things. For fashion and textiles: Sourcing Journal, Just Style, Ecotextile News, Drapers, Fashion Network. For Italian industry: Il Sole 24 Ore's Econopoly, Industria Italiana, and the trade title of your specific machinery segment. For beauty: Cosmetics Business, BeautyMatter, Global Cosmetics News. Pitches go out with three headline options and the first 150 words, never a finished article attached — an editor who accepts a finished piece is not editing it.
One link per article. It sits where a reader would want it, usually against a method, a tool or a dataset, and it points at a page that answers the sentence around it. If the only page worth linking to is a product page, you have a content problem rather than a link problem, and I will tell you so before we start.
What I check before pitching an outlet:
Whether it has a masthead. Whether any contributed piece there has ever criticised an advertiser. Whether contributed articles carry a tag reading sponsored, partner, or in collaboration with. Whether the site has a page offering publication for a fee — those are quietly everywhere now, including on titles that had real newsrooms five years ago.
What is not included:
No placement bought. If an outlet asks for a fee, an administration charge, or a mandatory advertorial bundle, we walk, and I forward you the email. No pieces written for sites without an editor. No anchor text supplied by your agency: they may nominate the target page, the wording is mine and the editor's. No republication counted twice — a piece syndicated to three regional titles is one placement in the report.
Who this is not for:
Companies that want the link but not the opinion. Anything worth publishing takes a position, and a position means somebody in your market disagrees in public. If every sentence must clear three functions, the pieces come back neutral, and neutral pieces get rejected. Also not for firms whose only available author is a marketing manager who has never been in the factory: editors on these titles can tell, and so can your customers.
Reporting:
Every draft, the pitch that carried it, the editor's reply, the live URL, the date. Rejections included, with the reason where one was given. After a year the rejection notes are the more useful document — they show which of your arguments the trade press already considers settled.